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Chain Saw Confidential: How We Made the World's Most Notorious Horror Movie, by Gunnar Hansen
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The original 1974 film The Texas Chain Saw Massacre seized the imaginations of audiences and critics, going from controversial cult sensation to being ranked by Total Film as the greatest horror movie ever made. It's been shown at Cannes, briefly banned in England, and included in the permanent collection of New York's MoMA. This fascinating literary memoir of the making of the film comes from the unique perspective of Gunnar Hansen, the actor who played the chain saw-wielding Leatherface. A critically acclaimed poet and author, Hansen tells the real story of the film, debunking myths, giving behind-the-scenes details, and offering insights on the film's reception and our enduring fascination with the horror genre today.
- Sales Rank: #60326 in Audible
- Published on: 2013-09-24
- Released on: 2013-09-24
- Format: Unabridged
- Original language: English
- Running time: 439 minutes
Most helpful customer reviews
18 of 18 people found the following review helpful.
If you loved Chainsaw, you need this book. Buy it NOW
By Amazon Customer
I have to start by announcing my bias. I came to this book prepared to love it. I am a big fan of Chainsaw. I am a big horror fan and I freely admit having paid big bucks to see Gunnar Hansen, get his autograph, and have my picture taken with him at horror movie conventions. The Texas Chainsaw Massacre is a milestone in American Horror Cinema, and as in any such movie, the burden for success/failure rests fully on the shoulders of the man behind the mask. I have seen Gunnar give Q&A sessions where he answers all sorts of questions and he can be hilariously funny or surprisingly profound. Gunnar is an actor, but he is also a scholar of literature. He often answered questions from both perspectives.
There are a lot of stories about the making of the movie. Many of them and unbelievable and many of them are false. Gunnar often answered questions about the making of the movie, and he confirms some of these stories, while setting the record straight on others. Unfortunately, unless you are lucky enough to get to a con to see him, you could never get that experience. Now, this book is not quite the same as getting to meet Gunnar. He's warm and gregarious and funny. He's a great guest at cons and the kind of master storyteller who can hold a roomful of fans spellbound for hours. This book is a written record of his experience as Leatherface during the making of the legendary movie. He tells readers about the other actors and production staff, as well as about working with Tobe Hooper. He tells funny stories about making some of the movie's iconic scenes - giving great detail and insight into the infamous 'meathook' scene, the "Dances with Chainsaw" scene at the end, and others. It's not the same as meeting him, but it's about as close as you can get otherwise.
He also tells a lot about what happened because of Chainsaw, and the public reaction to it. He discusses those who point to Chaisaw as emblematic of the link between horror movies and violent behavior. Gunnar singles out Fredric Wertham, the 'scholar' who wrote Seduction of the Innocent for particular review and analysis. He also analyzes the movement towards censorship of comics and horror movies and with great clarity and concision of thought demonstrates the intellectual emptiness of such movements.
It's a great book. There are so many reasons to get this. If you are a fan of Gunnar Hansen, you want this book. It's pure Gunnar. If you're a fan of Chainsaw, you need this book - it's the purest inside view of the movie available, from the man who created the role. There's even a great photo section in the middle. If you're into horror movies and comics, Gunnar's explanation and analysis of horror movies is awesome. It reminds me in many ways of Men, Women, and Chain Saws: Gender in the Modern Horror Film by Carol Clover, except this includes both a scholarly view and a more personal view. Also, Hansen discusses this from an actor's viewpoint as well. Finally, If you are into the issue of censorship - particularly in horror, genre media, and comics, then Hansen's analysis is tremendous - not only because he wrote it, but because it's solid, detailed, and well-researched. This is a great book. If you're a fan, you need this book. Buy this book. NOW.
10 of 10 people found the following review helpful.
Should be required reading at every film school
By William Kotzwinkle
This book should be required reading at every film school in the country. Any aspiring filmmaker will learn how to seize whatever the day offers and make it work. Only books written by those who were there can bring this sort of inspiration, and Gunnar Hansen was there, inside the mask of Leatherface. Leatherface could only grunt and growl but Gunnar is an articulate witness to the amazing developments that took place on the set. That he didn't saw his own leg off is a miracle. That he didn't accidentally kill someone is also a miracle. But miracles are what guerrilla filmmakers count on because they can't count on money. So, not knowing any better and unencumbered by studio bureaucrats, they used a live chainsaw and strapped sheet metal on Gunnar's leg to prevent him amputating a limb. The mind-blowing effect they got on the screen was because they were tempting fate and got away with it. This is what young filmmakers have to accept, that sometimes fate needs to be tempted in order to release some luck their way.
The ingenuity of the crew on Chainsaw Massacre is another injection the young filmmaker needs. Nothing is impossible, that's the message in this book, and if you're making a film with no money you have to believe that message deep in your soul. Gunnar shows that soulful belief in action. Yes, they were reckless, brainless, and crazy but they made the most successful horror film in history. We learn there was just as much horror on the set as there is on the screen, the horror of young actors taking terrible chances for a director who was possessed. It's funny to read about but Gunnar makes it clear it was anything but fun. It was madness. Madness isn't what they teach at film school either but a touch of it is required on any project with heart. They really did hook that young woman up like a side of beef, didn't they? They make you think they did, and they did it with a homemade chastity belt. You don't get that blueprint in film school.
But you don't have to be a film student to be inspired by this book. It's really a self-help manual for the rest of us in and out of the arts, showing why you can't depend on anybody but yourself if you expect to improve your game. That's the message I got. It doesn't mean you'll get rich. All of the actors in this film got screwed. That's part of the reality Gunnar brings forward. If your distribution money comes from the Mafia just be lucky they don't also break your kneecaps while screwing you out of your royalties. It seems to go along with the message of the book. All the actors and most of the crew got turned into meat and hung on a hook but what a film.
I know Gunnar personally. When I'm with him, somewhere in the background I can hear the whirring of that chainsaw. Congratulations, Gunnar. Leatherface found his voice in you.
10 of 11 people found the following review helpful.
Behind the leather mask(s)
By J. Hundley
Texas CS Massacre is one of those movies I have an odd personal relationship with. I walked out the first time I saw it at around age 17 -- not out of disgust, but out of unease. I simply didn't want to be sitting there in the theater watching it any more. Told my friends I would see them in the lobby afterward and left. Didn't regret it in the least. A couple of years later I saw it again, this time all the way through. It was astonishingly effective: creepy, disquieting. It was very good at what it did. I hated it and haven't seen it since.
Gunnar Hansen's new book, his remembrances of the making-of almost (ALMOST) makes me want to see it again.
Hansen played Leatherface and his tales of the creation of the character and the movie is an interesting, very enjoyable read. Blending in the memories of a number of his fellow actors and crew, he is quite effective himself at relating the physical and emotional ordeal that was the filming: miserably hot, humid weather; long days and nights of shooting to get it done quickly (and cheaply); claustrophobic sets and facilities, such that there were; and the periodic mind-games played by director Tobe Hooper. His overall tone is a kind of bemused reminiscence that makes him good company to spend some reading time with. While he certainly seems proud of his work on the movie, and the movie itself, he neither inflates his input into the process, nor does he display a false modesty. He tried to do a good job of creating a monster who was interesting to watch. And he succeeded admirably. Everyone involved tried to do a good job. They all set out to make a very scary, low-budget movie. And they all succeeded admirably. No one, according to Hansen, had the slightest inkling that they were making a milestone, a touchstone and a movie that would be watched and discussed 40 years later. It just sort of worked out that way.
Hansen devotes some time at the end of the book to TCM's reputation and place in the world of horror. It is a concise, succinct section and Hansen provides a nice thumbnail of the movie's legacy. His musing here, that bring the book to a close, are what, more than the recounting of the filming, that make me almost want to revisit the movie. It's been a very long time - over 30 years - and so maybe I will. Regardless, I enjoyed my time in Hansen's company. More than I recall enjoying my time with Leatherface.
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